The paintings of jap architect Toyo Ito explores the dynamic dating among structures and their environments. His vital concentration is on constructing an structure freed from the grid procedure, which he believes homogenizes humans and their lives. Toyo Ito: strength of Nature files the architect's 2009 Kassler lecture at Princeton college tuition of structure. advised essentially in Ito's personal voice, the ebook gains the edited lecture transcript, in addition to an interview with the architect via Julian Worrall and a brand new translation of Ito's 1980 essay "The Projection of the Profane global onto the Sacred." Bringing jointly diverse strands of an extended and fruitful profession, the booklet concludes with an afterword via Ito that addresses the exhibition domestic for All, a reaction to Japan's earthquake and tsunami failures in March 2011.
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Extra info for Toyo Ito: Forces of Nature
Example text
For Ito, the fluidity of twentiethcentury subjectivities calls for a different way of being in the city—what he has called the “body of electronic 29 It is my great pleasure to introduce Toyo Ito, who will give the Kenneth Kassler lecture for 2009. 30 modernism,” exemplified in his 1986 project for the Tower of Winds in Tokyo. What I find extraordinary about Ito’s work is his capacity to continually reinvent himself and his practice, without ever losing sight of his core concerns. Around the turn of the twenty-first century, his preoccupation with the architectural consequences of digital technology culminated in his competition-winning project for the Sendai Mediatheque.
Model of library structure 36 Immediately before we began the project, we had been working on this crematorium in rural Japan. The crema torium was not intended to have an accessible roof, but at the opening ceremony I remarked, “Well, the roof is probably the best space in the building,” and then everyone started to climb up there. An exception was made, and guests were allowed to explore the roof. Meiso no Mori Crematorium at Kakamigahara 37 Roof of the crematorium 38 The columns of the Tama project were initially conceived for the crematorium.
In 1971, he started his own office in Tokyo, building upon the research and insights of the previous generation. It also seems significant to me that the original name of his studio was Urbot, or Urban Robot, reflecting the concerns of that decade and the influence of the Metabolists. In 1979, the name of the studio was changed to Toyo Ito and Associates. Parallel to his career as an architect, Ito has taught extensively, as a visiting professor at the University of Tokyo and at Columbia University, where I first met him, in the early 1990s.