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Design Review: Challenging Urban Aesthetic Control by Brenda Case Scheer (auth.), Brenda Case Scheer, Wolfgang F.

By Brenda Case Scheer (auth.), Brenda Case Scheer, Wolfgang F. E. Preiser (eds.)

That the subject ofdesign assessment is someway trou­ My biases are clearfrom the beginning: i'm between blesome is perhaps something all readers can those that think that, regardless of all signs on the contrary, the actual constitution of our environ­ agree on. past this, besides the fact that, i believe professionals­ pects of consensus are dim. Differing evaluations ment may be controlled, and that controlling it's at the topic most likely diversity from these needing the foremost to the ameliorationofnumerous difficulties regulate tothosedesiringfreedom. Saysonecamp: confronting society at the present time. i feel that layout our actual and normal environments are going can resolve a number ofproblems, and that the layout to hell in a hand basket. Says the opposite: layout of the actual atmosphere does impact be­ evaluate forums are just nearly as good as their participants; havior. quite often their interventions produce truly, this can be a point of view that encompasses mediocre structure. a couple of development at a time and calls for As a city planner and architect, i'm sympa­ that every construction comprehend its position in a bigger thetic to the whole variety of sentiment. possibly a context-the urban. certainly, an individual offering dialogue of those concepts-control and actual options to city difficulties is designing freedom-and their transformations could now be or, as could appear extra usually the case, destroying invaluable. yet enable me as an alternative recommend that either posi­ the city.

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It adds great distinction to the city and is paid for largely by developers and established businesses that appreciate the commercial benefits of a well-designed and well-managed city center. It is surely the best approach to aesthetic control. CONCLUSION It could be forcefully argued that only those controls should be enforced that can be strictly justified in tenns of the traditional police powerpublic health, safety, and welfare (taking a narrow view of "welfare"). The whole idea of "aesthetic" control offends one's libertarian instincts.

2. Should it be judged solely on design? 3. What would have been built had there not been historic district designation, design review, and (as in some instances) neighborhood involvement? 4. Should it be based on what the architectural community is or is not capable of designing? 5. Should it be based on success in the marketplace? 6. Should it be based on acceptance by the people who will look at it and walk by it on a daily basis? 7. Or should it be judged on the passive realization that time will soothe and foliage will hide at least some of the mistakes?

Although the meanings of the two words were similar and they both placed an importance on the fit of a structure with its surroundings, they did not (and do not) mean the same thing. "Compatible," as used in the 1970s, placed a greater emphasis on scale, mass, and materials than on details. " In contrast, "contextual" gave far greater importance to a borrowing, exact or not, of shapes, detailing, and surface treatment from historic structures and styles, local or not. " As such, the word was (and is) used not only as a descriptive term for the design of new structures in historic areas but equally important, it also contributed to moving new design for that setting toward a more imitative and literal expression of historic styles.

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