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She just published her first story in McSweeney's, a great place to publish. On the strength of that she has gotten into two anthologies and NPR has asked her to be a commentator. Now when I published my first story nobody cared, nobody noticed. (Both laugh) And furthermore she is in the Iowa Writers' Workshop right now. RB: Somebody at Slate wrote a piece on fam fic, children continuing the work of their parents or relatives… TCB: Has that ever happened? RB: Well that was the premise of the piece.
So I listen to my publishers and when they want to bring the books out, that's fine with me. But it's been eighteen months and I am totally in to the new one. RB: Are you taken for granted because you are so prolific? Like Joyce Carol Oates… TCB: Updike. RB: To some degree Roth… TCB: He's the monk of literature now. I am very impressed with his last four or five books and what he is doing. And there was that great Remnick profile of him in the New Yorker in which Roth is basically going to sit in that house and write books and forget celebrity, forget sex, forget it all.
TCB: They have done all my books, all fifteen of them. RB: That would seem to be a benchmark of success and certainly spurs book sales. TCB: I don't know anything about that. I don't know how the industry works or whatever happens. I don't know about it. I'm a cottage industry sort of guy. I do my thing, and I am very pleased if people respond to it. What I have seen over the years of my career is that the audience is constantly growing and becoming more and more aware. Again, the web page, there are constantly students contacting it for help on papers on my work, and on all sorts of my writings, not just the recent work.